Look Back: After All This Time

Oh man, this one shot is such a ride. I originally had the plan of writing about this immediately came out, but not all plans work out sometimes. It feels like there is just a lot of manga and pieces of media that are out there that keep coming out you know? I was not expecting more Gundam or Eva to appear, but they did. That doesn’t mean that Fujimoto’s Look Back isn’t worth reading. If anything, it’s incredible and mentioning Look Back with those two things I love is a compliment. 140+ pages of a pure emotional ride in a short package that you can’t expect to be in every place. If you know Chainsaw Man, then you know Fujimoto and what he is capable of doing. What happens if Fujimoto pulled back from his usual insanity in a grounded way? If there is something that Look Back proves, it’s that Fujimoto can write anything he puts his mind too.

While Look Back has a cast of two main characters, but the focus is character is Ayumu Fujino. A girl that loves to draw and everyone cheered her on until she started growing up and people started questioning why she was still drawing. It seemed like the final cut off of Ayumu’s drawing was for the midde school newspaper when a better drawn manga was placed next to hers. It was created by the mysterious Kyomoto that never made it to school because they drew all day. Something that pushed her to improve her art until Ayumu couldn’t get to that level. By sure happenstance before Ayumu quit for real, she meets the mysterious Kyomoto who happens to be Ayumu’s biggest fan. Becoming friends, the two work on a manga named Shark Kick together for a while.

The major meat of the story takes place after the girls work on Shark Kick together for a while. I mean, the manga already gets the viewer with some very good pieces of humor and a good character story about people creating art and what it feels like to be at that age. It’s not only relatable for artist, but any of us who had a passion for something when we were young and those wondering about whether or not they should keep going with it. That’s how I felt when I started playing an instrument and while I don’t practice as hard as I used to I still enjoy it. I don’t really want to tell you what happens after Kyomoto leaves Ayumu to improve her art even more in art school. Just know that this was came out on the second anniversary of the Kyoto Animation’s arson attack. That’s about all you need to know really.

How is this one shot so good? A lot of things really. Look Back is so detailed with its background events, comic strips, and panels that it’s impossible to read it again and again without seeing something new or get a new interpretation of the whole manga in some unique way. For instance, reading Ayumu’s middle school manga is better then she could see. Especially since her sense of humor is amazing and pure. Her manga about two lovers meeting again as an asteroid and a planet is never not going to be hilarious. There is just so many other things in there that tie into all those attributes. The art is so good and grounded in what it says and does that it all works to create this world of a manga that feels so fleshed out. Especially fleshed out for a one and done kind of manga and it’s magical.

The second thing that connects with me is how personal Look Back feels. For instance, I couldn’t help but feel like we are seeing Fujimoto’s story in at least some way. I mean, obviously he is not two girls named Ayumu Fujino and Kyomoto, but the art aspect feels right to me. Especially since Shark Kick has as much volumes as Chainsaw Man currently have so there is some air of it. I also feel like this was Fujimoto’s reflection of the Kyoto Animation Arson attack. How he hurt after seeing that sad tragedy in the worst way possible. I also think that this is Fujimoto’s story about art and drawing. The entire manga is about Ayumu Fujino and why she wanted to draw and what drives her to do it. That short scene of Ayumu seeing that Kyomoto was still a massive fan of hers after all that happened was what drove to continue drawing again. What a wonderful piece of manga. I can’t recommend it enough. It’s on SJ+ right now, so please check it out before Chainsaw Man Part 2 appears. Or even after. Whenever works for you, I hope it stays there for a while so I can read it again.

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  1. “It feels like there is just a lot of manga and pieces of media that are out there that keep coming out you know?” – It’s a fact of this current world that there is /too/ much media being made and not enough time to consume it all. Even looking at what Shonen Jump offers in English in both backlog and current series and supposing you’d never read any of it, there’s far too much for one human to read.

    Oneshots are their own little bag of goodness (albeit they can come off as somewhat underdeveloped at times, due to their length) – one that’s historically been ignored on the English publishing side. Luckily, these days more oneshots do see the light.

    I had to go looking for the kanji to Fujino’s first name to be sure, but the character for “Ayumu” means things like “walking”, “steps” and, by extension, “progress” or “development”. Definitely an apt name.

    Liked by 1 person

    1. Yeah, my latest podcast episode was about this. It is one of those things that just keeps happening in our world environment ourselves and is generally pretty awful. The demand is just way too high.

      Yeah, I’m always amazed by one shots that carry so much story and character to them like this one.

      Oh, the kanji is an awesome bit of trivia :).


  2. I love the artwork! I’ve been hearing awesome things about Chainsaw Man, so I’ll have to check that out and add this to my reading list. Manga with fantastic art is my weakness haha.

    Liked by 1 person

      1. Oooh sweet, I’ll definitely take manga recs too! I love all the spooky things, tbh. It’s rarely limited to one gig.

        Liked by 1 person

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